last_kallig (
last_kallig) wrote2024-07-20 07:58 am
![[personal profile]](https://www.dreamwidth.org/img/silk/identity/user.png)
OOM: AU Child! Ibani
The last few months have been even harder than usual, after the death of her mother figure. Perhaps grief made her weaker, more vulnerable to sickness, because she knows she's dangerously ill. She hadn't meant to wind up here, wherever here is, but it has shown up in the nick of time.
Ibani shivers against one of the walls of Milliways, her body wracked with fever and hunger both. She's somewhere between seven and ten, clothed in fabric with far too many holes in it, and wearing a slave shock collar around her neck. Her bones stand out too sharply against her skin, and her eyes are fever bright and darting around the room.
She's not sure if this is some dying hallucination, if she's gone mad, or if she truly HAS wound up somewhere utterly strange. Whatever this is, instinct and her body DEMAND food, fuel to fight the sickness that is killing her. Untrained in the Force, she's grasping on instinct for any energy it can give her.
Maybe, maybe if she gets close enough to one of the tables she can steal some food without anyone noticing. Yes, yes that's a good plan
Ibani shivers against one of the walls of Milliways, her body wracked with fever and hunger both. She's somewhere between seven and ten, clothed in fabric with far too many holes in it, and wearing a slave shock collar around her neck. Her bones stand out too sharply against her skin, and her eyes are fever bright and darting around the room.
She's not sure if this is some dying hallucination, if she's gone mad, or if she truly HAS wound up somewhere utterly strange. Whatever this is, instinct and her body DEMAND food, fuel to fight the sickness that is killing her. Untrained in the Force, she's grasping on instinct for any energy it can give her.
Maybe, maybe if she gets close enough to one of the tables she can steal some food without anyone noticing. Yes, yes that's a good plan
no subject
Someone wants to see the sky!
no subject
"We will take these dishes to the sink," he says, as he picks up the plates. While typically he would throw the leftovers into the trash (or honestly, leave them on the plates in the sink if he knows the Loompas will come through) he does not want to do that in front of her. "I have plenty of takeout containers we can put the extra in - they are in that cabinet, there," he points. "Bottom shelf. Clear with a lid."
Someone might have a small hoard of plastic Chinese takeaway boxes tucked away for 'just in case'.
no subject
no subject
"Bar sent up some other clothes for you to wear with us last night. Those pajamas you've got on now - those are for sleeping in. These," he fetches the folded bundle. "You may find more comfortable for exploring in?"
The cut and style will be similar to clothes of 'her' world, even if she has never really known anything more than rags and hand-me-downs.
"Since you have never been outside, it will be bright," he adds. "We will stop by the Bar on the way outside and I will have her get you some glasses, to protect your eyes."
He will give her privacy to change, and eventually change himself as well, switching from his own pajamas back into a clean shirt and some jeans. He does not bother with shoes, or his coat.
no subject
"Skellig, look, I have wings!" she says excitedly, spinning around to show off her shirt.
no subject
With the clean clothes, getting several baths, and the upbeat energy after her healing last night (and breakfast this morning) she is looking much better to his eyes already. Yes, she is still skinny, terribly so. But that he cannot fix with just the effort of his energy.
Once they are at the bar downstairs, he stops at the counter - it is taller than her - and reaches down to pick her up, to set her on a stool. "I'll show you how it works, with her. If you need or want something, you just ask. Do you want to try? You will need some 'sunglasses', for outside."
no subject
A pair of sunglasses appears, just the right size and shape for her head and face.
"Thank you," she says as she picks the item up, turns it around and unfolds it. It's not TOO hard to figure out how they must go on. "Like this?"
no subject
He offers her his hand once he's gotten her down from the stool - there are not a lot of people moving about this morning, since it's 'early-ish' by "bar time" - and while he is pretty sure that she would not have any problem navigating through the light crowd, part of him does not want to lose her.
"They will be too dark in here, so I would take them off for now - and then when we get to the back door, we will put them on. I have some too, in my pocket."
no subject
Once they reach the door, she puts the sunglasses on, to prepare for whatever might be out there.
no subject
What greets her first is the back porch - it is not huge, and then once they are across that, the grass is shorter right off the steps, clearly from foot travel. The sky is mostly-clear with some patchy clouds, the sun is shining, and there is a light breeze that rustles trees on the far side of the lake. And the lake, too. The greenhouses, and the stables - maybe there is a horse or two out to graze in the paddock? They might have to investigate that. And he wants to show her the beach...
But first, he will step a few steps out of the way of the path, and simply crouch down as he watches her, allowing her space to let her take it all in.
no subject
It takes a few breaths to figure out, solidify, the boundaries of where she ends and everything else begins. She opens her eyes again, looks up at endless blue, and laughs in delight.
no subject
Interesting.
It is similar to his own 'listening' but at the same time, completely different...
"Can you hear all of it?" He asks gently, curious.
no subject
"It's not just hearing, it's all my senses. Got tangled in the threads."
no subject
He keeps hold of her hand.
"I find it quieter the further I walk away from the bar. When you are ready, we can walk a bit, look at things?"
no subject
One of the horses in the pasture has come over to the fence, knowing that people often mean food and/or skritches.
"I don't recognize any of these creatures," she admits to Skellig.
no subject
He demonstrates how to hold his hand out flat.
"I did not bring any treats to give them - they like carrots," he says. "And peppermint candies, though they cannot have too many of those."
The horse nearest them that is snuffling at Ibani's hand exhales a snort when Skellig says that they cannot have an unlimited supply of peppermints. Clearly that is blasphemy!
no subject
She tilts her head, moves her hand to scratch under the horse's chin. "They are itchy, right here," she explains to Skellig. The horse seems to be enjoying the attention.
no subject
Another horse wanders over after noticing that his friend is getting plenty of skritches, and leans down to nudge at Skellig's hands. Clearly there must be SOME treats hidden here, right?
"We will bring you snacks next time," Skellig promises, reaching to scratch under this horse's chin in the manner Ibani is doing to 'her' horse.
no subject
Ibani tilts her head, considers. "I think I could help them not be afraid of you, in your world. Fear is sharp, spiked, but I can coax it into being something else."
no subject
"I know my energy is...complicated." He admits. "Here I am more relaxed versus when I am on my home world, so I feel as if it is easier to deal with."
no subject
Does he WANT her to see what his world, his life, is like outside of Milliways?
no subject
But the more he has thought about it...he realizes that there is no chance that he would risk leaving her in Milliways alone, and his Door deciding to go rogue and disappear on him, leaving them separated. Also, if she has survived this long in conditions that are even worse than what he has to endure...they could probably manage well enough.
"I would not leave you behind," he says.
no subject
The thought of just HOW MUCH is overwhelming for a moment.
no subject
Then he smiles. "But it will be worth it, I know it."
no subject
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)