last_kallig (
last_kallig) wrote2024-07-20 07:58 am
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OOM: AU Child! Ibani
The last few months have been even harder than usual, after the death of her mother figure. Perhaps grief made her weaker, more vulnerable to sickness, because she knows she's dangerously ill. She hadn't meant to wind up here, wherever here is, but it has shown up in the nick of time.
Ibani shivers against one of the walls of Milliways, her body wracked with fever and hunger both. She's somewhere between seven and ten, clothed in fabric with far too many holes in it, and wearing a slave shock collar around her neck. Her bones stand out too sharply against her skin, and her eyes are fever bright and darting around the room.
She's not sure if this is some dying hallucination, if she's gone mad, or if she truly HAS wound up somewhere utterly strange. Whatever this is, instinct and her body DEMAND food, fuel to fight the sickness that is killing her. Untrained in the Force, she's grasping on instinct for any energy it can give her.
Maybe, maybe if she gets close enough to one of the tables she can steal some food without anyone noticing. Yes, yes that's a good plan
Ibani shivers against one of the walls of Milliways, her body wracked with fever and hunger both. She's somewhere between seven and ten, clothed in fabric with far too many holes in it, and wearing a slave shock collar around her neck. Her bones stand out too sharply against her skin, and her eyes are fever bright and darting around the room.
She's not sure if this is some dying hallucination, if she's gone mad, or if she truly HAS wound up somewhere utterly strange. Whatever this is, instinct and her body DEMAND food, fuel to fight the sickness that is killing her. Untrained in the Force, she's grasping on instinct for any energy it can give her.
Maybe, maybe if she gets close enough to one of the tables she can steal some food without anyone noticing. Yes, yes that's a good plan
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"Do you want me to cut yours for you, so it is easier to grab? Some people will use a fork," he demonstrates, stabbing a chunk and popping it into his mouth. "But my hands are sometimes not steady, so I tend to use my fingers."
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Her expression turns concerned when he says his hands are sometimes not steady. "Were you in a collar before, like me? If a collar gets activated too much, sometimes the unsteadiness doesn't go away with time." Nerve damage, in other words.
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"No, I have never been in a collar," he says. "I just...they call it arthritis, in humans."
His grip is slightly modified on the utensils (not that she would notice, since this is all new to her) as he holds them, primitive in a sense. Once he's finished, he pushes the plate back to her - after adding some of the whipped cream on one edge.
"My bones rub together, in my fingers and my hands, and it makes them sore. It is worse when it is cold, or raining."
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Skellig shrugs slightly, a rustle of feathers as he reaches for a chunk of the bread on his plate. "I hope to figure it out one day. Until then...I have learned how to manage it, with my mind, so it is less noticeable."
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Ibani stabs the french toast with the fork, lifts it to her mouth. There is glee from her as she tastes the food. "Thank you, it tastes so good!"
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After several bites, he nods back towards the fridge. "If you are still hungry after you finish, I can make more, but it might be better to keep spacing things out. We can have lunch in a few hours, and then maybe dinner after it gets dark."
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"If I eat too much, I will be sick," Ibani agrees. "I had better space it out."
"Three meals? That's...isn't that a lot of food?" She is surprised. "Most of us were children like me, but even the adults only got two ration bars once a day."
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most of us were children like me
Skellig's mood shifts slightly, grows a bit more serious.
"Others in the mines?" He asks softly, not pressing - if she doesn't want to talk about what is on the other side of her Door (he hasn't even asked her if she noticed if her Door was still there, that he will wait to explain) then he won't force her to.
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She fidgets, stabs another piece of breakfast. "I've never heard of any of us living long enough to be grownups."
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"Well," he says (once he trusts his voice to not betray what he is feeling) and shakes his head. "You will never wear a collar like that again, ever. You are free."
And if anyone disagrees who might walk through the Front Door in search of her, they will be met with a very angry Skellig with a grudge.
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"I know you wouldn't let them hurt me," she says, quiet. "But I feel...guilty, for being free."
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Obviously she would have to recover greatly, and train herself and her powers.
"And I know others here who would not hesitate to join us to fight."
This is a very deep subject of conversation to be having with a child of her age, but he knows it is bothering her - he can see it in her posture, feel it in her energy, sense it with the sadness that reflects behind her eyes.
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"Maybe that's why I found my way here, so I could save them." Even if they don't like her, even if some of them call her a freak.
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"Maybe it is. When I first found myself here...I told you, I was very ill. I did not know where I was supposed to be, and after I recovered here for some time, I was able to return home and help others. I never truly understood why the Door showed up when it did, but I am grateful for it."
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Skellig nods slightly.
"Sometimes I do not have to heal people, but simply give them guidance," he adds. "Sometimes I am called to a place and I never seem to find the reason I felt pulled there, but I figure...even if I do not understand why, perhaps whatever was meant to happen did without me noticing it."
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Both physically and metaphorically.
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"You'll keep me?" she asks, hopeful.
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"Because it is the right thing to do," he says, as if it is the most logical answer in the world. "I know it will not be easy, but I am not afraid of that."
He squeezes her hand lightly. "Because you are a child, you are a person, Ibani. A person who deserves to be treated with fairness and kindness, a person who is worthy of love and respect, and while that may not have happened before...I am going to change that."
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"Right," he says. "You matter. You matter to me."
And if I were to do nothing, I do not know if I could live with myself.
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